A few weeks ago, we wrote about the Singing Nun, who had an unlikely #1 hit in the U.S. in 1963 with “Dominique,” a song sung in French. Here are some more non-English tunes that topped the American pop chart.

• A rock version of the folk song “La Bamba” is Ritchie Valens’ best-known and signature song, but upon its release in 1959, it was only a minor hit. As the B-side of the #2-hit ballad “Donna,” “La Bamba” hit #23. But when a movie about Ritchie Valens life and untimely death (he died in the same plane crash that killed Buddy Holly and the Big Bopper) called La Bamba was released in 1987, a cover version by the band Los Lobos hit #1. It’s the first and only time a song sung entirely in Spanish has topped the charts.

Jon Bon Jovi assembled his hard rock band, Bon Jovi, in 1983, which included bassist Hugh McDonald, who played on the group’s first single “Runaway.” The song was a local hit, and when the group got a record deal, Bon Jovi replaced some of his band members, including McDonald, with a new bass player, Alec John Such. Except…he really didn’t. Such was credited as the bass player on five multi-million-selling Bon Jovi albums, but it was really McDonald who was playing. Why was Such, who was reportedly not as accomplished a musician as McDonald, presented as Bon Jovi’s bassist? McDonald was a decade older than Jon Bon Jovi, Such, and the other members of the band. When the band became teen idols in the 1980s, youth (and youthful looks) were important, and McDonald didn’t fit that profile. In 1994, McDonald “replaced” Such, both in concert and on record.

Belgian-born, French-speaking Jeanine Deckers joined The Fichermont Convent in 1959 at the age of 26. Upon taking her vows, she adhered to the custom of picking a new name: Sister Luc-Gabrielle. Living at the convent, she passed the time by entertaining the other nuns with songs about Catholic saints that she wrote and performed on her acoustic guitar.

The superiors at the convent thought Sister Luc-Gabrielle should make a limited-press album—they could sell those records of original religious songs to people who visited the convent or who attended their religious retreats. The convent booked time for the sister at Philips Studio in Brussels in 1962. While it’s fairly common for church choirs or religious performers to self-release an album, then and now, the engineers at Philips thought Sister Luc-Gabrielle was more than just another church singer—they thought her gentle, lilting folk songs could make her a pop star. So they signed her to a contract, and presented her to the public as Soeur Sourire, or “Sister Smile.”

A Toot and a Snore in ’74 (1974)

John Lennon and Paul McCartney were very hot and cold with each other after the Beatles broke up in 1970—they’d snipe at each in the press sometimes, while other times, they were friendly. For example, the night Lorne Michaels famously made his offer to pay the Beatles $3,000 to reunite on Saturday Night Live, Lennon and McCartney were actually watching the show, together, in Lennon’s apartment in New York, and almost went down to the show. But they only ever recorded together again once. In March 1974, Lennon had temporarily split with his wife, Yoko Ono, and had moved to Los Angeles. On March 28, he was at a Burbank studio producing Harry Nilsson’s Pussy Cats. That’s when Paul and Linda McCartney dropped by, unannounced. Lennon greeted McCartney by saying, “Valiant Paul McCartney, I presume?” McCartney responded, “Sir Jasper Lennon, I presume.” It was an inside joke—the lines were an exchange from a 1962 Beatles TV special. Before long, a jam sessions was underway—Lennon on guitar and lead vocals, McCartney on drums and harmonies. (And another drop-in, Stevie Wonder, played piano.) A bootleg of the session didn’t surface until 1992 under the title A Toot and a Snore in ’74, because Lennon repeatedly keeps asking for a “toot”—cocaine. The 26-minute recording is mostly chatter, but Lennon and McCartney play a bit of “Stand By Me” and “Sleepwalk.”

The Electras were one of thousands of garage rock bands formed by American high school kids in the early 1960s. More than 13 different guys played in the Concord, New Hampshire, band, all attending St. Paul’s School, an all-boys academy. One of the longest-serving members was bassist, future senator, current Secretary of State, and 2004 presidential candidate John Kerry.

In late 1961, the Electras recorded an album of ten songs, mostly covers of well-known rock and pop songs like “Sleepwalk” and “Summertime Blues.” Only 500 copies were ever pressed, intended for friends and family—in 2004 a copy sold for more than $2,500 on eBay. That was the only thing the Electras ever recorded…until former band member Larry Rand discovered a reel-to-reel recording of the band playing live at a dance at the all-girls Concord Academy in October 1961.